And next to recording a real instrument, physical modeling is the next best thing.īut my by far favorite aspect of physical modeling based VST instruments is that you can perform them, instead of using those pesky key switches to program the performances. It can not be expressed by piecing together audio samples, it has to be performed. In reality the dynamic layers from ppp to fff on for example a cello is infinite! But with sample libraries they usually record a couple of dynamic layers that you then cheat dynamic curves with using cross-fades.Īnother aspect is all the nuances and details that goes into expressive playing, emotion, soul…the character of a performance. Well, I am a huge fan of “real instruments”, but the problem with recording sample libraries is that you essentially create “snapshots” that you then piece together. They have found the key to good times, popularity and profit. Why would you want modeled instruments based on algorithms, mathematics and synthesis? Why would you not want sample libraries that are based on true acoustic recordings? A free Lesson-Sample actually showed them how easy it was to learn.
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